Production of a contemporary ‘Ajami decoration in a Syrian workshop
Painting of a calligraphy work of a contemporary ‘Ajami decoration
Traditional production of animal glue
Chickpeas
Eating breakfast in the shop
Modern interpretations of the traditional craft of ‘Ajami (workshop of Aliya Alnuami)
View over the roof of the south-western Madrasat Ismaʿil Basha al-ʿAzm to the Umayyad Mosque with its high transept of the prayer hall with a central dome and its three minarets
A room in the family wing (haramlik or juwwani), Asʿad Basha al-ʿAzm Palace
A room cladded with ‘Ajami decoration in a Damascene house
Jamiʿ (mosque) ash-Shaykh Muhyi ad-Din Ibn ʿArabi, seen from Friday’s suq
Khusrawiyya Complex, siteplan of the building parts (Arabic)
Khusrawiyya Complex, damage mapping (English)
Aleppo, Khusrawiyya Complex, siteplan of the building parts (English)
Aleppo in the 1930s, aerial view in northwest direction with the citadel and the old town in the background
Fig. 02-b, Catalogue of Damage
Making pickles
Fig.03_section drawings of rubble, with orthographic photography
Aghabani with customized geometric design combining leaves, flowers and branches
Hubert Mezannar, son of Antoine Elias Mezannar. In the background is the certificate of a gold medal, the family won in 1936 on an international fair
Aramaic Language – Jab’adin in Munira’s Memory
Aliya Alnuami is applying the relief paste on her ‘Ajami-work
Aghabani table cloth with gold and silver threads
Aghabani table cloth with gold and silver threads
Introducing the blue dye in boiling water to the silk threads. This process is repeated several times until the silk absorbs the blue dye effectively
Cooling bread in the street before storage
Aghabani table cloth
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Remains of the Jupiter temple in Damascus
